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The Left Side(9.0)
The left side of the GZ-MC500 features more controls than the GZ-MC200. First, it includes an on/off slider switch which is different than the circular on/off switch featured on the GZ-MC200. With the GZ-MC500’s switch, you can toggle between record and playback modes. Now, on the other side of the left side of the camcorder is a circular mode selector similar to the one on the GZ-MC200, except now it features more options. The mode button in the center, as on the GZ-MC200, toggles between ficult t video, still, and voice recording modes. Each of these modes has a record and playback setting, available using the first switch. Though it is a little difficult to explain, it is fairly easy to operate.

Now, surrounding this circular mode button is an adjustable ring selector to toggle between Auto, Manual, Night, Portrait, Sports, Sun/Snow, Aperture Priority, and Shutter Priority.

The Back (9.0)
The back of the JVC GZ-MC500 features the camcorder’s 1.8" LCD screen (there is no viewfinder). To the right of the LCD screen are a number of buttons, all relatively similar to the GZ-MC200’s configuration. A silver record button is located towards the top, with the camcorder’s small menu button and joy stick selector/navigational tool below. There is a small strap loop underneath the navigational joystick.

The Right Side (9.0)
The right side of the GZ-MC500 will most likely be covered by the user’s palm during most of the recording, so it is free of buttons.

The Top (9.0)
The top of the GZ-MC500 mainly features the camcorder’s microphone, zoom toggle, and Microdrive/battery compartment hatch. The zoom toggle is well-placed, and surprisingly easy to control, considering its minuscule size. Located towards the back of the camcorder, actually on the panel that rotates with the back of the camcorder, are two buttons, Trash and Info. In front of these buttons is the camcorder’s pop-up flash, which is opened via a switch located to its right. Further towards the front of the camcorder is its built-in stereo microphone.

Picture and Manual Control
Automatic Control (6.5)
Automatic controls on the GZ-MC500 are consistent with those of the GZ-MC200. While it's a bit of a shame that no improvements on these could be added to this 3 chip camcorder, automatic adjustments are decent. With a full wide angle, focus adjustments are accurate and quick, but the camcorder has noticeable problems achieving focus with higher zoom levels.

Exposure adjustment in full auto mode has some lag problems when environments change, even moderately. The GZ-MC500 does include a number of Program AE modes, which can take a lot of this lag away if used in particular environments. Program AE modes include night, portrait, sports, and snow/sun, and can be accessed using the dial surrounding the mode button on the left side of the camcorder.

Overall Manual Control (6.5)
The manual control of the GZ-MC500 is pretty impressive considering the size of the camcorder, but then again, in a 3 chip camcorder, it would be nice to have a bit more.

Manual controls are located and navigated similar to the GZ-MC200’s interface; however, the system has been made a bit easier since last year. To access the manual control menu, the user still must use the navigational joystick, but instead of pressing and holding this knob to the right side, he or she needs only to press down once, and only for a short period of time.

Once engaged the manual control menu displays options for Auto Exposure offset, white balance, and Digital Effects. Available in every camcorder mode except for automatic mode, this menu system doesn’t give the user control over shutter speed or aperture. Aperture priority and shutter priority modes must be selected for this. The manual control menu is available in still camera mode as well.

Zoom (6.5)
The GZ-MC500 ships with a tiny zoom toggle that is a surprisingly decent performer for its size. It is also well-placed, resting above the record button under the user’s index finger. When the LCD screen is tilted towards the user’s head, the zoom toggle shifts as well, making adjustment easier. The camcorder ships with the same 10x optical zoom as on the GZ-MC200.

Focus (6.0)
One of biggest upgrades featured on the GZ-MC500 is its focus ring. It is nice that JVC has given their 3 chip camcorder, no matter how small in size, a focus ring. Truly, with 3 CCD video performance, a focus ring is necessary. The focus ring is pretty small which makes things a bit harder to control, but compared to the focus control on the GZ-MC200, a joystick focus, this focus ring is a godsend, though it might be easier to use once the lens hood is removed. Unfortunately, onscreen visualization of the camcorder’s focus is similar to the GZ-MC200 as it only displays a hard-to-see icon with little indication of how far you’ve moved through the range.

Exposure (5.5)
There are two ways to control manual exposure on the GZ-MC500. The first is by way of the manual control menu where Auto Exposure shift can be selected. Shift steps include six increments in either direction from zero. This exposure shift function (also seen on the GZ-MC200) can be used concurrently with actual F-stop adjustment available in the Aperture Priority mode.

In Aperture Priority mode, the other method of exposure adjustment is available. In this mode, the navigational joystick can be pushed to the left and right to change the F-stop. Options include: f/8.0, f/5.6, f/4.0, f/2.8, f/2.0, and f/1.8, and the cool part is that the user can move through this range continuously by only holding one direction on the joystick. That is to say, f/8.0 and f/1.8 are next to each other in the succession of options.

Shutter Speed (6.5)
The same shutter speed options available on last year’s GZ-MC200 are available on the GZ-MC500. They include options from 1/2 to 1/4000 of a second. What has changed is the method of adjustment. Last year, these options were located within the camcorder’s manual control menu; this year, shutter speed priority mode provides easy access to the options by way of the camcorder’s joystick.

White Balance (7.0)
White balance options on the GZ-MC500 are similar to last year, and there are a lot of them. All options are available within the camcorder’s manual control menu system, which is relatively easy to control, and certainly better than entering the full menu system. Options include: Halogen, Cloud, Fine, and Manual.

Gain (2.0)
Similar to the GZ-MC200, the GZ-MC500 includes an Auto Up gain function accessible in the camcorder’s menu system. In still-camera mode, there are two gain (ISO) levels (80 and 160) that can be selected in the menu system.

Other Manual Control (0.0)
The GZ-MC500 doesn’t offer any other manual control.

Ease of Use (4.5)
The GZ-MC500 is fairly easy to use. It features the same menu interface and rotating body as the GZ-MC200 which makes it easier to use than most JVCs, especially for its size. It would be kind of intimidating to buy one of these things without a manual, but after a day or two, it can be figured out. Unlike the GZ-MC200, this JVC includes some more Auto Exposure and Priority modes which can be tricky to figure out. Once you realize that shutter speed and exposure cannot be used independently and together, but rather separately, things will clear up a bit. The menu system itself could not be easier to use, though the navigational joystick is a bit hard to control because of its size.

Still Features (9.0)
The still features on the JVC GZ-MC500 are very good. With its high pixel count, it can record very large stills. Available sizes are: 640 x 480, 1280 x 960, 1600 x 1200, 2048 x 1536, 2560 x 1920. That last one is just under 5 MP, which is a decent dedicated still camera resolution.

The GZ-MC500 can capture stills at either fine or standard quality, and a number of ISO (Gain up) settings are available. They include: Auto, 100, 200, and 400. The Tele Macro function is available (see Other Features) and so is a self timer function (2 and 10 second intervals). Digital effects of monotone and sepia are available during still capture. Aperture options differ a bit from the options of video; options include: f/1.9, f/2.0, f/2.8, f/4.0, and f/5.6. Shutter speed options are similar to video’s but only run from 1/2 to 1/500 of a second.

Stills can be captured to SD card and to the Microdrive. The destination media can be selected and switched within the menu system.

The GZ-MC500 is the first Everio with a pop-up flash. A switch on the top of the camcorder pops it up, and then options can be cycled through by pressing left on the navigational joystick. Options include Auto, Auto Red Eye, On, and Slow Synchro (flash is always on, but shutter slows during shooting to illuminate background).

There are also two continuous shooting modes available on the GZ-MC500. They include burst shooting (three shots are taken at a ½ second interval) and exposure bracketing (three shots are taken—one regular and two of slightly greater and lesser amounts of exposure).

Still Resolution (9.9)
The JVC GZ-MC500 is capable of capturing stills on an SD card at several different resolutions: 640 x 480, 1280 x 960, 1600 x 1200, 2048 x 1536, 2560 x 1920. Unfortunately, widescreen mode is not an option in still mode. At it’s best this camcorder produced an image with 993600.75 (0.9 MP) lines of resolution.

Still Performance (9.25)
The still performance of the GZ-MC500 is reason enough to buy this camcorder. If you read enough reviews on this site, you’ll know that this is not only never said by us about a camcorder, but usually a camcorder’s still abilities, even when they’re decent, are often overlooked when it comes to purchase recommendations. But this guy has got great still power. As you’ve read, this camcorder has excellent still resolution, and it also has excellent color quality. The color quality alone gives both the DCR-DVD403 and the, dare I say it, HDR-HC1 a run for their money. The JVC can capture larger stills than the HDR-HC1, they’re just slightly less crisp. Color wise, however, JVC takes the cake. Also, the JVC has three additional ISO settings, adding a bit of versatility. Great still performance helps make a good hybrid; I just wish the low light performance was as good. Below are the biggest and smallest shots that the JVC GZ-MC500 can take, both shrunk.

Low Light Performance (5.0)
The low light performance of the GZ-MC500 is particular. As long as you have the Auto Gain function engaged on the camcorder, the trends seen at 3000 lux should continue. However, with this off, you’ll have a hard time seeing anything. Perhaps this is why it defaults to "on".

60 lux auto (no Gain up)

At 60 lux, a light level slightly dimmer than an average indoor light, with the auto gain on, the GZ-MC500 shows a much brighter image, but it is somewhat more washed over and hazy than other comparable 3 CCD camcorders, namely the PV-GS150 and PV-GS250. The colors of the GZ-MC500 are, overall, not as good as the aforementioned camcorders.

At 15 lux, these trends continue further; the GZ-MC500 shows a brighter image, but an image equally marred with noise, and one which suffers more washed colors.  The performance is fine, so long as you have auto gain on.

Zoom Power/Ratio (10.0)
The GZ-MC500 ships with a 10x optical zoom, with digital options of 40x and 200x. These digital zoom options are merely pixel enlargement; using them will result in a loss of video quality.

Wide Angle (8.4)
Wide Angle measurements of the JVC GZ-MC500 were taken at both 4:3 and 16:9 modes. In 4:3 mode this model had a wide angle measurement of 42 degrees, while the widescreen mode measured 51 degrees.

VCR Mode (8.5)
On the GZ-MC500, on-camcorder playback is available in all three recording modes: video, still photo, and voice recording. In the video playback mode, a thumbnail menu screen is shown in the LCD allowing for easy access, similar to a DVD camcorder’s playback mode. The camcorder’s recordable Microdrive media makes accessing footage similar to hard disc access: very convenient. Rudimentary fades and wipes, similar to those seen on the GZ-MC200, are available here as well.